Jun 28, 2007

Pasta and Pizza / Pizza and Pasta Fantastico

Pizza

Pasta and Pizza
32, Barnov Str.
Tel: (995 32) 98 29 82
11:00 a.m - 10:00 p.m

Pizza and Pasta Fantastico
3a, Napareuli Str.
Tel:(995 32) 29 46 75
10:30 a.m. - 10:30 p.m.

Tucked away in an easy-to-miss courtyard in Vera, Pasta and Pizza is a supremely pleasant, unpretentious place to eat. The restaurant is set back from the street, and has a long, narrow courtyard — lined with tables with Viking-capacity benches under broad umbrellas — leading up to the entrance.

The menu here is surprising in its scope and playfulness, with a good selection of entrees running the gamut from Italian and Alsatian pizzas, pasta, quiches, Turkish dishes, and a list of meat platters and vegan items.

Italian Bread Balls (available with or without garlic) — piping hot boules of baked dough, with a dab of olive oil and seasoned minced garlic inside — make a good appetizer. The Italian–style pizzas are delicious, with a good crust and a very flavorful marinara sauce under–girding their generously applied toppings. The Capri pizza (GEL 12.80) — with field mushrooms, tomatoes, pepperoni, peppers (listed as ‘paprika’), and olives — was especially good. The Alsatian (white) pizzas are a bit under–dressed. We tried one with sour cream, onion, garlic, and bacon (GEL 6.80), and while it was good — the topping was thick with bacon, and the onions had a gentle caramel aroma —l it didn’t compare to the Italian-style pizza vying for space on the table.

The restaurant has serves pasta straight up and al forno (baked). We tried the gnocchi with pesto (GEL 5.80) and the ‘lasagna legumi’ (vegetable lasagna, GEL 12.80). The gnocchi were freshly made — so much so that they didn’t hold their form. The resulting boiled dough balls were surprisingly edible (the dough was light and airy), but the pesto was made from dried basil, and on the whole the dish would have been very disappointing as a main course. The lasagna legumi, on the other hand, was fantastic, with layers of pasta and cheese thickly interspersed with a decadent cream and vegetable filling. Mushroom lovers especially will enjoy this dish.

Pasta and Pizza’s menu also features so-called “international khachapuri” (for GEL 6.80 a piece), which include French (spinach, onion, garlic, and Roquefort cheese), Turkish (minced lamb, paprika, pepperoni, garlic, onion, sheep cheese), and Dutch (pickled pork loin, onion, edamer cheese). Turkish dishes — including moussaka (GEL 12.80) — comprise a major section of the menu, and there is a respectable selection of unusual meat entrees (roasted chicken breast with spicy walnut sauce and fries) as well as vegan dishes (there are many vegetarian options throughout the menu). It’s easy to miss, but at the back of the menu fondues (cheese or chocolate) are available either as single (GEL 14-18) or double (GEL 25-35) servings.

Wine, beer (draught and bottled), spirits all available. There is usually an “open” village wine available in half liter and liter carafes — on the evening we visited, this was a honey-colored tsinandali with a moment of intense dryness on the tongue, and a mellow, creamy mouth-feel.

Our decadent dinner left us no room for dessert, unfortunately, but we will be back to try the “whipped wine foam’ and the Tiramisu. The waiters were prompt and attentive — and English-speaking — and we continued to enjoy the smells from the dishes wafting by to other tables even as we exhausted our appetites.

Menus are available in English.

Very decent pizza can also be had at Pizza and Pasta Fantastico. True to its name, this small pizzeria makes oven-fired pizza and pasta, as well as a handful of other entrees such as eggplant parmesan. The pizza here is a bit pricier than that at Pasta and Pizza, with small Pizzas for GEL 7-10, mediums for around 15-18, larges 18-22. Lots of possible toppings are available, including ham and pineapple. The small pies are quite substantial for one person, while a medium makes a good meal to share between two people. We tried one pizza with paper thin-slices of ham and layers of rich musky mushrooms, and one pizza with bell and pickled jalapeño peppers, olives, tomatoes. Both were excellent, with crisp and chewy crusts.

The eggplant parmesan is heavy on the marinara sauce and melted cheese, with thin slices of breaded baked eggplant swimming in there. Gnocchi with pesto was not a very generous serving, and the gnocchi were gummy and a little tough. The pesto was quite good, with a bright emerald color. (Perhaps pesto on another pasta would be better than on gnocchi.) At other tables plates with ravioli drenched in cream sauces seemed popular.

Lots of cocktails are available, and from the looks of it there is a serious espresso machine behind the counter. A narrow selection of Georgian wines cost around GEL 18 per bottle, no house wine is available. More extensive are the Italian and European wines can be ordered by the glass for around (GEL 7 per 200 ml). The restaurant is small, and fills up quickly. Menus are available in Italian, Georgian, English.

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Published in Georgia Today, 22 June 2007

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Jun 8, 2007

Rustic-yet-Spiffy and Always up to the Task: Shemoikhede Genatsvale

5 Marjanishvili Street – Tel: 91 00 05
25 Leselidze Street – Tel: 43 96 46



KhinkaliShemoikhede Genatsvale (“Drop In, Love”) has tasty, reasonably priced Georgian food in a refined yet un-stuffy setting. The restaurant has two Tbilisi locations, one on Leselidze Street in Old Tbilisi, and one on Marjanishvili Street on the left bank of the Mtkvari.


Shemoikhede Genatsvale, which is owned by the GMC Group, manages to both provide a pleasantly rustic-yet-spiffy environment featuring exposed brick walls, Pirosmani reproductions, murals of men at supra and a powerful ventilation system to diffuse the accumulation of indoor cigarette smoke.

Both restaurants have the same menu – printed in Georgian on a rough piece of paper meant to resemble a 1920s newspaper. The Marjanishvili location is larger, with high vaulted ceilings and lots of solid, elaborately carved wooden furniture. The atmosphere here does more to evoke ‘ye olde sakhinkle,’ while the Leselidze Street location is a bit more mainstream in its tastefully appointed decor. The only major difference in the quality of the food between the two locations is that the Marjanishvili location has consistently better mtsvadi than the Old Town incarnation—Marjanishvili’s mtsvadi is a toothsome platter of juicy, succulent, piping hot grilled meat, while Leselidze’s tend to be somewhat tough and dry.

Many khinkali aficionados frequent Shemoikhede Genatsvale, and after eating there it is easy to see why. While the restaurant offers only four types of khinkali (two kinds with meat – kalakuri (meat with chopped herbs) and khevsuruli (slightly spicier meat without chopped herbs) – as well as mushroom or potato varieties), there are few other establishments whose dumplings are as light and wolfable. The khinkali are formed from dough as thin and smooth as silk, and the meat is well seasoned and of even texture (no nubbly bits). For those inclined to abuse khinkali, the lightness of the dough makes it possible to bolt quite a few. (If, however, you have any leftover, ask to have them fried. This will buy you some time to digest, and the fried dumpling is delicious. If your Georgian isn’t up to the task, pointing at the remaining dumplings and saying “shemtsvari” will do the trick. If you really want to hurt yourself, request some sour cream (arajani) on the side – though probably not traditional, this goes very well with a fried khinkali.)

Shemoikhede Genatsvale’s menu is fairly wide-ranging and inexpensive. Chebureki – large fried pastries stuffed with cheese or meat – seem to be very popular with many of the younger people who dine here. Also extremely good is the chkmeruli—chicken fried in a garlic sauce. While a bit pricey – at GEL 19, it’s one of the restaurant’s more expensive entrees – it is extremely tasty (the chicken arrives – still sizzling – in a ceramic dish, and drenched in a rich buttery garlic sauce) and comes in a very generous shareable portion – more than enough for four people, if you are ordering other dishes as well. Also excellent are the lobio nigvsit (this is a cold bean salad with walnuts, herbs, and spices), and the kababi (one restaurant connoisseur swears that the Marjanishvili location has the best kababi in town).

Nakhtaktari and Kazbegi beer is usually on tap for around GEL 2 per glass, and several varieties of wine, vodka, and cha cha are available as well.

The wait staff is brisk and friendly. While a few waiters and waitresses speak English, the menu is in Georgian only.

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Published in Georgia Today, 8 Jun 07

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Jun 1, 2007

Alanis Ludi: Ossetian Beer and Khatchapuri Bigger than Your Head

The Alanis Ludi Bar in Old Tbilisi serves an excellent house beer and decent, cheap food. It isn’t fine dining, but is a good spot to enjoy an unusual - and cheap - beer with an unusual - and cheap - khatchapuri under the beady glass glare of a taxidermied bird of prey.

As I was standing outside the entrance to Alanis Ludi, trying to decide whether “Alanian” stood for “Ossetian” (it did), a man tending the nearby parking lot assured me that the food inside was cheap and good.

“IN THERE IS IT OSSETIANS OR GEORGIAN FOOD?” I asked in rickshaw Georgian.

“A bit of both,” he replied.

Inside the bar, stuffed and mounted birds – and the occasional mammal - line the wood-paneled walls. Many birds are posed suggestively above the bar tables – we caroused under the glass glare of a hawk posed clutching a doomed pigeon in its claws.

A stuffed duck perches on the Efes cooler behind the bar, and a mountain goat with a modest rack surveys the room. Retro-looking fans are also stationed at each table – these presumably help move the air conditioning along. The bar has four dining areas for large parties; these are separated from the main eating area by saloon-style doors. The combination of effects gives the place a saloon-meets-hunting-lodge feel, which is further complicated by the inevitable flat-screen TV that partially eclipses the bar.

Most of the available food is standard Georgian restaurant/bar fare. We had (at our waiter’s suggestion) cucumber-tomato salad with walnut, eggplant with walnut, some spongy kababi and above-average mtsvadi. Our smattering of Georgian food was okay, but what sets this bar apart – and makes it worth a visit - is the house Ossetian beer and the Ossetian-style khatchapuri.

The beer at Alanis Ludi has a semi-opaque amber color and an almost fruity taste, like a Hefeweizen, and is welcome respite from the pallid Kazbegi more often on tap in Tbilisi, and far less pricey than the Germanesque microbrewery across the way. (However, you are less likely to find orange slices at the bar at Alanis Ludi than at Kaiser Brau– bring your own if you think you might want one). The Ossetian khatchapuri is thin and crispy, as big as a pizza, and filled with butter, cheese, and mashed potatoes, and is a good complement to the beer.

The bar is located on Gorgasali Square (at the very start of Gorgasali Street), a short jog away from the sulfur baths. If you are walking towards Abanotubani, the bar will be on your right (before the traffic light but after the Metechi Bridge), just after a spate of small grocery stores. A flight of stone steps leads up from the street, and large wooden panels frame the entrance.

The bar was lively on a Wednesday night; we had about a 10-minute wait for a table to open up. Bathrooms are downstairs; loo-users are expected to pay 20 tetri (honor system: pay your toilet toll to the red bucket at the top of the stairs).

There is no printed menu, and no English spoken – be prepared to make your way in Georgian, Russian or Ossetian.

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Published in Georgia Today, 1 Jun 07

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May 18, 2007

Feel Like (Halal) Chicken Tonight?

Turkish-Iranian Restaurant 'Urfa Sofrasis'
76 Agmashenebeli Avenue
Tel: (995 32) 96 50 94

Ufra SofrasisUrfa Sofrasis, the most recent addition to the Turkish culinary strip on Agmashenebeli Avenue, has pretty good food—and a formidable bar—in a comfortable setting.

In spite of its unique niche (Iranian and Turkish cuisine) Urfa Sofrasis makes no attempts to invoke—whether through low lighting, acres of oriental carpets, or an over-abundance of pillows—either Persia or Turkey. Rather, a two-story-high drop ceiling vaults above a sea of enormous dining tables, each of which is bracketed by long thickly-padded benches. (Somehow this combination gives the restaurant the feel of a furniture showroom.)

Rather then perusing a menu, you place your order at two glass display cases — one containing raw meat for Turkish and Iranian-style kebabs and other grillables, the other containing everything else (meze, etc.)—then take a seat and wait. While this approach allows you to eyeball your entree ahead of time—and also permits the Turkish-Iranian culinary novice to point and grunt in the absence of lexical familiarity with the dishes in question—it does not give one a good sense of each dish’s impact on your wallet. (Happily, this ends up not being too severe).

While the ‘meze-etc’ case’s contents were not as extensive as those of some of the Turkish restaurants further up Agmashenebeli Avenue, there was still a lot to choose from. There are several vegetarian options (including an inordinate amount of eggplant). Our party ordered yoghurt sauce, olive salad, hummus, fried eggplant in yogurt, meat-stuffed eggplant, and stewed green beans. From the meat case we ordered chicken and ground lamb kebabs. We also indulged in a couple of bottles of Turkish Efes beer, and a shot each of raki (anise liquor). All together, our tab came to about 15 GEL apiece.

On our visit the food was hit-or-miss. The green olive salad — comprised of sliced olives, chopped fresh tomatoes, slivers of lightly brined cucumber, and chives—was very good. The hummus hit the spot, as did the yogurt-mint sauce. Some dishes were less successful, though—the grilled eggplant in yogurt sauce was bit bitter for our taste, and the stuffed eggplant’s meat stuffing was kind of nubbly. A very few items were flat-out bad: the beans were very salty and swimming in oil, and the ground lamb kebabs were dry and immediately unpalatable—no one managed more than a small bite. We scored with the grilled chicken kebab, however, which was downright succulent, and more than made up for the odd mediocre item. The chicken meat was moist and tender on the inside, with a crisp exterior, and a grilled aroma and toothsome flavor throughout.

If you are a diner with uncomplicated cravings, Urfa Sofrasis is definitely a worthwhile stop for dinner. You may, however, wish to pass over many of the salads and meze and skip straight to the grilled chicken, which, along with some raki or a bottle of Efes, makes a satisfying simple summer dinner.

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Published in Georgia Today, 18 May 2007

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May 11, 2007

A Chip Off the Old Bloc

Grand Cafe CCCP
28 Kiacheli Street. Tel: 877 57 66 67

At 8:30 on a Monday night, Grand Cafe CCCP (USSR) was full of young men and women. The ratio of drinks to dishes at their tables was weighted heavily towards the former. We would have done well to follow their lead—the menu at Grand Cafe CCCP is expensive, and the quality of the food is out-of-step with the prices. A sampling of mid-range dishes (GEL 6-18) got us a transatlantic flight-grade supper.

Grand Cafe CCCP offers a loosely Russian menu with many variations (since when were Potatoes “Idaho” a Soviet standby?). On our visit at least, the restaurant’s food was better on paper than on the plate. The Uzbechka (GEL 12) — chicken fillets with honey and plums served with rice — was disappointing. The meat was dry and mostly flavorless — with only a distantly sweet glaze &mdasgh; and the rice was very bland. The “Blue Medals“ beef (GEL 18) — a minor constellation of thin steak slices in a blue cheese sauce topped with scattered tater-tots — was rich and flavorful, but the portion was very small. The side and appetizer dishes had a better price-to-food ratio, though here the descriptions on the menu were somewhat misleading. (“Stuffed tomatoes” apparently means tomato slices topped with a shredded soft cheese-dill-and-mayo combo.). The pelmeni (meat dumplings – GEL 6.50) were tasty but very modestly apportioned. A blurb on info-tbilisi.com says that the “Brezhnev’s Favorite Salmon” (salmon with sour cream and caviar) and “Mushrooms Proletariat” are good, but I was hesitant to try them, given the mediocrity of the cheaper dishes and their cost (the fish dishes inch into the GEL 30’s).

Throughout the restaurant, objects from the Soviet era — stamps, posters, banners, statuettes, busts of Lenin - are installed on shelves and in glowing recesses in the wall. The cumulative effect is (thankfully) underwhelming. Grand Cafe CCCP’s aesthetic nod to the Soviet era is ameliorated by an international play list and the owner’s decidedly restrained application of kitsch. (If you, for some reason, long to immerse yourself in Soviet-era paraphernalia, the Dry Bridge market is a better bet). In many cases, the decor is less shrine and more send-up of Soviet sensibilities - one poster reads (in English): “Your power core is under attack! Red Leader says: Defend it, fuckface!”

Grand Cafe CCCP is a better destination for drinks than for dinner. Available alcohol includes a Glenmorangie old enough to enlist in the army (from GEL 10), a range of tequilas (GEL 6), flavored vodkas (from GEL 4), imported beers, local wines, and a long list of cocktails. With cafe-style seating in the front and a lounge-style area in the back, Grand Cafe CCCP is a comfortablec — if smoky — hang-out. The lounge’s black leather couches are deep and commodious, and a tent of thin fabric overhead casts pleasantly diffused light throughout the dining room. Diners seeking good Russian fare would be advised to eat elsewhere, and then retire here for the alcohol and old shkola ambiance.
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Published in Georgia Today, 11 May 2007

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May 4, 2007

The Smell of Decaying Literature

TSU librarians’ search for funding battles the clock as 67,000 rare and foreign books sit rotting in the library basement

Rare Book RotWhen Mzia Razmadze was appointed Acting Director of the Grigol Tsereteli Scientific Library at Tbilisi State University, she discovered that the first two floors of the library were occupied by a robust forest of paper-eating fungus. In and of itself, this might not be such a tragedy, however the fungus happened to be feasting upon TSU’s 67,000-volume collection of rare and foreign books. As the library’s Acting Director, Razmadze has inherited a number of problems that are symptomatic of the higher education system overall – ailing infrastructure, chronic under-funding, obsolete methodologies—as well as problems that might be more in-line with those of a museum curator such as the restoration and preservation of objects of cultural and historical value. “We have a unique collection from the 15th and 16th centuries,” Razmadze says. “There are no other collections like this, either in Georgia or in other libraries.”



Grigol Tsereteli Science LibraryIn 1987, the Grigol Tsereteli Scientific library was moved from its cramped quarters in Vake out to the “new campus” and into a 32,000 square meter concrete building.

Unfortunately the ceiling of the new building leaked from day one, and the bottom floors especially suffered from perpetual dampness which emanated from the floors, walls, and ceilings.

This was an excellent climate for fungus, but a terrible one for books. It was into these floors that the singularly fragile rare book collection was moved in 1987, and for the past 20 years water continued to seep in from all sides. Razmadze says that when she took on the position of Acting Director and went down to inspect the collection, she discovered that none of the books had ever been unpacked from their move to the library in 1987.

Shhhhhh! No Breathing!


On a recent visit, Razmadze offers a tour of the book collection. The floor of the basement level of the library is under several centimeters of dust and grit. The ceiling is low, and to get to the rare and foreign books we cross a room that is bisected by a sequence of massive vents that run the length of the building. The air is damp and clammy.

A doorway opens into a room where one is immediately flattened by an overpowering smell of mildew: book funk -the smell of decaying literature. The room is wide, deep, and filled with closely spaced metal shelves. The shelves are packed with books, many of which are bound together with twine. The entire collection is covered in a sickly yellow-white carpet of fungus.

The spectacle is quite literally breathtaking. The air burns my throat. Razmadze pulls the collar of her sweater over her nose and warns me not to get any of the book-eating fungus on my jacket. In many cases, it’s impossible to tell what the books even are under the fungal growth, and beyond that, much of the fragile leather bindings and their attendant markings have been digested.

Surveying the rather depressing spectacle of composting manuscripts, Razmadze says that she thinks that since the moisture was ambient, not direct, the hearts of the books are likely to be in better shape than their bindings. “I am an optimist by nature,” she says. “I cannot be passive about this.”

The Spoils of War Have Spoiled


Since discovering the fungus farm, Razmadze has been trying to eradicate it. After determining that the fungus was non-pathological - for people, anyway - Razmadze set about divining whether the collection would be worth the time and money it would take to repair. She sent lists of the foreign French and German titles – which she suspects were taken from German libraries during the occupation of Germany after World War II, as many were acquired through the USSR in the early 1950s - to the French and German embassies, requesting expertise and assistance in identifying their worth. The German Embassy replied to her overtures, and Razmadze was joined in the TSU basement by Olaf Hamann, a specialist from the Berlin State Library. Using the electronic catalogue of the German library system, Hamann was able to confirm that the volumes in question were missing from those libraries’ collections. Moreover, Hamann and Razmadze were able to confirm that the damaged books were worth recovering. “Each of them was quite expensive,” says Razmadze. “Each one was quite rare.”

Since then, Razmadze and other library workers have been gradually bringing the books from the basement level up to drier floors. They have been wiping the fungus off with alcohol and water, and drying them by hand. Many of the books are extremely delicate, and cannot be exposed to sunlight. Though they have managed to bring up many books, the scale of the project is sufficiently daunting so as to render their efforts meaningless if substantial financial assistance is not brought to bear on the problem. What is not clear is where that assistance might come from.

Funding: The Never Ending Quest


Razmadze has appealed to university, state, private, and foreign sources for funds to take on the problems of the library. While solutions to many of the library’s problems are well-represented in the Ministry of Education’s agenda for education reform (such as infrastructure renovation, new title acquisition, and modernization of the catalogue system and methodologies), the problems unique to the older items now in critical need of restoration have not yet been addressed.

The Ministry of Education provides financial support to university libraries for the restoration of basic infrastructure - heating and sewer systems - as well as for library modernization - new computers, books, and methodologies. “We are investing tens of millions of laris annually to help them to refurbish their facilities,” says Education Minister Kakha (Alexandre) Lomaia. Libraries can also seek direct investment from the state by applying to the Georgian National Science Foundation’s (NSF) University Library Program.

As soon as she heard about the NSF grants last November, Razmadze applied for one (“If a grant exists, I will apply for it,” she jokes), and the TSU Library received an NSF grant of 100,000 GEL. But, Razmadze says, the fund is for much-needed new titles and for the development of electronic resources – it cannot be used to work on the damaged books. And while education reform has been good to the library in many respects, it poses some challenges as well. In the last year of administrative reforms, the number of professors at TSU was reduced from 5,000 to roughly 800, and staff cuts have affected the library as well. At one time, 500 workers managed the library. Over the years this dwindled to 132, and library workers have recently been informed that the target “reformed” staff size is 30.

The Ministry of Education and Science is responsible for libraries at higher education institutions. It is not clear whether a situation such as that at the rare and foreign book collection—where the imperiled works are of both educational and cultural value - whether the Ministry of Education or the Ministry of Culture, Monuments and Sports might be the proper body to appeal to for assistance.

There are precedents for cooperation between the Ministry of Culture (whose mission more precisely would seem to jibe with this problem) and the Ministry of Education. The two are cooperating, for example, in developing the National Museum as a modern ‘teaching museum,’ and the Ministry of Culture co-finances higher education institutions such as the Academy of Fine Arts. Potential cooperation on restoring cultural artifacts in university collections has not yet been explored, says Education Minister Lomaia. “Frankly, no one has applied to us with such an issue.”

In addition to seeking more support from TSU and from the Georgian government, Razmadze continues to seek funding from other sources. She has submitted an application for the United States Ambassador’s Fund for Cultural Preservation in order to repair, scan and properly archive a portion of the collection. U.S. Embassy Public Affairs Officer Rowena Cross-Najafi refrained from commenting on the pending application, but noted that the Ambassador’s Fund often acts as a stopgap, and that given the severe infrastructural woes at the library the collection likely requires a more massive and final intervention. “Ultimately, this needs to be a government job,” says Cross-Najafi. Definitive intervention will take time, she adds, “but those books don’t have time. They need to be focused on today.”

First published in Georgia Today, 4 May 2007.

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Apr 26, 2007

Au Sans Souci: Georgian Standards with a Twist

During a typical lunch hour at Au Sans Souci (also known as Ar Idardo), the air hums with the relaxed conversation and activity of people on dates, on business lunches, or sitting with their open laptop computers enjoying the free Wi-Fi along with a shot of espresso. Over one doorway there is an inscription: “Un Bon Repas Sans Vin, C’est Une Belle Femme Sans Tete” - ”a good meal without wine is a beautiful woman without a head.” There’s no excuse for a headless meal here. The wine list ranges from local Saperavis to French Bordeaux, though you can also enjoy a refreshing GEL 9.80 mojito which, with a generous portion of fresh mint leaves, also makes a nice spring dining companion.

Au Sans SouciThe menu at Au Sans Souci features traditional Georgian dishes with a twist. (One of these twists is that portions are not very hearty: expect nouveau cuisine rather than supra-sized servings). Quality and attention to appearance and flavor are strong across the board – it’s hard to go wrong here.

Of Au Sans Souci’s smaller dishes, the pork on tkapli (GEL 6.80) is quite nice – cold slices of roast pork on tart slices of fruit leather – as is the leek hors d’oeuvre (GEL 3.80), which is much like the spinach-and-walnut phkali served at many Georgian restaurants, only with leek instead. The substitution is startling and delicious. Mushroom lovers should try the grilled mushrooms (wild mushrooms in lots of garlic) or the cream of mushroom soup (GEL 5.50). (Whatever you think of Cream of Mushroom soup in general, this fresh fragrant item is a far, far cry from Campbell’s). I’m not sure whether to recommend the meatball soup (or gupta – GEL 6.20), except for it’s novelty: it manages to be both rich and extremely mild and light. It consists of two baby sour plums and two meatballs in a clear golden broth that smells strongly of fresh butter. Likewise the wine pudding (GEL 2.10), while a bit granular, it is a dainty and unusual dessert. And whatever you usual beverage of choice is, be sure to try the “house lemonade.” (More of a limonati, really, it has a lemon-lime flavor with a hint of tonic, and is quite refreshing).

Though the food at Au Sans Souci is reliably very good, it’s the ambiance that make this place a real treasure. There isn’t a dull surface in the restaurant. You sit upon, and eat off of, beautifully painted furniture – the tables are adorned with playful drawings and lines of Georgian poetry and prose. The walls twinkle with colorful tile, Christmas lights, and posters from the past tours of café owner Rezo Gabriadze’s nearby marionette theater. Patrons also enjoy a view of Tbilisi that juxtaposes two extreme cultural touchstones: the 6th-century Anchiskhati Church a short hop-scotch game away from the Hanger Bar (whose motto “Our Balls Are Bigger Than Yours!” somewhat undercuts Anchiskhati’s austerity).

Au Sans Souci: 98 65 94, Shavteli 13, Tbilisi
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Georgia Today, 27 Apr 2007.

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Mar 16, 2007

The Only Indian Restaurant in Tbilisi

Chicken MasalaRumor and hearsay told of a magical, mobile Indian restaurant that, over the past decade, has flitted, Brigadoon-like, through such diverse locations as Sololaki, Vake, and Saburtalo. This transient establishment – which had a tendency to shut down and reopen without warning or explanation – was called the New Delhi.

Buzz around the New Delhi was promising. A gourmand friend in the Peace Corps reported that it was dressed down, but tasty and authentic, and pointed out its approximate location on my woefully inadequate purple plastic Tbilisi city map. People referred to it as “the” Indian restaurant, and as recently as the autumn of 2006, “the” Indian restaurant was spotted in Saburtalo.

I was saving my trek to Saburtalo for a rainy day. Unfortunately, my rainy day fell after the New Delhi had pulled up its roots once again. After hours of beating the pavement and ducking in and out of patently Georgian restaurants on Gamrekeli Street – where the New Delhi last opened its doors—I was forced to accept that I’d missed it. The New Delhi had moved on.

My quest for the New Delhi had made me a bit myopic about this week’s column. It had to be about Indian food. Had to. And so I headed to what I believe is now the only Indian restaurant in Tbilisi: Maharaja.

It was with slumped and defeated shoulders that I entered Maharaja. I despondently took in its muted Asiatic wood-and-fabric decor ordered a mango “lassy.”

The lassi was pert and refreshing, and promised a good consolation meal. I called for backup. When backup arrived, we checked out the menu, which to our surprise was only in English. This seemed a bad sign, but we went ahead and ordered vegetable samosas, “palak panel,” keema (ground mutton) curry, and chicken masala.

The vegetable samosas (GEL 3) were served with a side of ketchup – another bad sign—and a small dish of watery mint chutney. The samosas themselves were filled with a texturally adventuresome mix that seemed to include chickpeas, potatoes, raisins, walnuts, peas, walnuts and cilantro. They were certainly nourishing, but a bit on the heavy side. The “palak panel” (GEL 8), known elsewhere as palak paneer, featured plump cubes of soft white cheese swimming in emerald-green spinach sauce; this was a pretty dish with good mouth-feel, but it was a little bland. The chunky chicken masala had a decent kick of spices to it, but the chicken was tough – a far cry from the creamy, tender meat I was hoping for. The keema curry was quite a bit like a meat chili, but perhaps it was supposed to be that way.

Maharaja is a very pleasant and cozy restaurant. Though their dishes – at least the ones we tried – fell short of scrumptious, and the service was a little cold, the restaurant interior is sumptuous and intimate, with low lighting and rich textiles providing a nice dining environment. Main dishes (GEL 12-20) come in modest portions – definitely order a side of bread or plenty of rice to make this a substantial meal.

And if anyone knows where the New Delhi has gone – or if it is coming back – please spread the word. Email info@georgiatoday.ge with “New Delhi” in the subject line.

Indian Restaurant “Maharajah”
24 Akhvlediani (aka Perovskaya), Tbilisi
Tel: 99 97 99
Published in Georgia Today, 16 Mar 2007.

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Feb 23, 2007

Old Town Studios

A Grassroots Art Gallery opens in Sighnaghi


sighnaghi.jpgSighnaghi, usually a sleepy town, is currently one big construction zone. An army of construction vehicles has shattered both the pristine quiet and cobblestone streets of this fortified hill-town. Workers from all over the region commute into Sighnaghi. They are taking the city apart to put it back together – new sewage and waterways, electrical and phone lines are being laid, town center buildings are being gutted and rebuilt, and multiple main streets are being restored to an ideal vision of Sighnaghi’s antiquated self.

On one of the streets presently under heavy renovation, a different kind of cultural restoration project is underway. A collective of Sighnaghi-based artists have joined forces to open Old Town Studios, a sort of grassroots art gallery. The gallery aims to provide a place where visitors can view some of the artwork produced by Sighnaghi’s ever-growing community of artists, which in recent years has come to include artisan wood-carvers, painters, musicians, carpet- and kilim-weavers, and winemakers.

At the moment, the pitch of Baratashvili Street is a slurry of mud. A trench deep enough to swallow a man runs the length of the street. At 18 Baratashvili Street, the trench is spanned by a narrow footbridge, which leads the visitor through a white metal gate and into the courtyard of Old Town Studios.

The artists of Old Town StudiosSpearheading the collaborative effort is American painter John Henry Wurdeman, who has lived and painted in Sighnaghi for the past decade. He speaks engagingly, and his blue eyes sparkle with enthusiasm. He is wearing a pair of fuzzy brown slippers to spare the carpets and freshly-scrubbed floors. As he describes the genesis of Old Town Studios, he sits by a fire in one of the gallery hearths and pokes at burning logs with a pair of iron tongs.

During his time in Sighnaghi, Wurdeman has befriended numerous artists and musicians, many of whom found reasons to move to Sighnaghi over the years. Among the transplants to Sighnaghi are carpet-weaver David Beraia, who moved from Tbilisi, and artisan wood-carver Shergil Pirtskhelani, originally of Svaneti. Both established their own studios in Sighnaghi.

“The whole idea of the place happened very organically,” Wurdeman says. The three men were all friends, and one of the things that connected them was their shared interest in Georgia’s traditional arts. When friends came to town, they often would want to see Wurdeman’s paintings, Beraia’s carpets, Pirtskhelani’s instruments and furniture. And while their works have all been on display or for sale, at one time or another, in Tbilisi, there was nowhere in their adopted hometown where they could show and share their work.

Old Town Studios was built by the participating artists and their friends. There are plans for a finished courtyard outdoors, but for now the main attractions are all indoors, in the two finished gallery spaces, painting and weaving studios, and wine cellar.

Painting DetailThe painting gallery displays a teasingly small array of works clearly meant to arouse, not overwhelm, the visual palette. The selection of paintings currently on display are all bound for exhibits in the United States, but those interested in rooting around for paintings to purchase can visit Wurdeman’s painting studio itself, with its much larger collection paintings, on the second floor.

Wurdeman’s painting pedigree is unusual—after enrolling at the Maryland Institute College of Art, he transferred to the Surikov Institute of Art in Moscow, where he studied under Vyacheslav Nikolaivic Zabelin. His painting career eventually led him to Sighnaghi, Georgia, where he fell in love with the landscape and culture, as well as with his future wife, musician Ketevan Mindorashvili.

The room where Wurdeman’s paintings hang is a pleasant wash of summer after the mud and snow outside. The cream-colored walls are hung with evocative impressionistic landscapes, portraits and still-lifes painted in Sighnaghi. The paintings bloom with the greens and yellows of a landscape in full flower. There are panoramas of the gardens at Bodbe monastery under a wide sky, thick canopies of trees pierced by steeples, the sunny streets and wooden balconies of Sighnaghi’s town center.

DSC_0239.jpgThe room adjoining the painting gallery has exposed brick walls, and is hung with vivid Georgian carpets. A few representative pieces of carved wooden furniture are also on display.

The furniture is chiefly by Shergil Pirtskhelani, originally of Latali, Svaneti. Pirtskhelani is from a family of musicians and wood-carvers – he and his six brothers and one sister were all taught by their father, Romeo Pirtskhelani, who has been recognized by Georgian Orthodox Church and the Georgian government for his cultural contributions.

At the age of 17, Shergil Pirtskhelani moved to Tbilisi, where he studied art history, painting, and Georgian folk art. During an exhibition of the Pirtskhelani family’s woodwork in Tbilisi (the whole family is renowned for their wood-carving and signing), he met the John Wurdeman and Ketevan Mindorashvili, who recruited him (as well as his sister Teah and brother Shmagi) to sing in Mindorashvili’s chorus, Zedashe Ensemble. In 2002, after a US-tour with Zedashe, Pirtskhelani moved to Sighnaghi, where he has since continued to sing and make artisan furniture and traditional instruments such as chongi and chuniri. His brothers, who are wood-carvers in their own rights, often collaborate with him in his studio.

There is not a lot of woodwork on display at the moment – each piece takes a lot of time to produce, and Pirtskhelani works largely on commission. But there is an ornamented makhvshi’s throne, as well as a large, caramel-colored bed-frame with a linear ornamental design carved into it. At the center of headboard is a disc carved with sunflower-like lines curving in one direction from its heart. This disc motif—variously thought to represent the sun, the galaxy, or kindness – is an emblem common in Svanetian wood ornaments.

Painting DetailThe traditional arts room of Old Town Studios is decidedly dominated by carpets, which represent the tip of an enormous enterprise directed by David Beraia.

Beraia worked for years as a carpet- and kilim-dealer. In recent years, he has dedicated himself to researching and reviving traditional carpet-weaving in Georgia. Beraia employs about 30 women of all ages in the greater Sighnaghi area who now make carpets in the traditional style, and he is helping to establish a center for carpet-weaving at Shuamta (near Telavi).

Beraia, a middle-aged man with a dark beard, warm expression, and intense brown eyes, describes his work with great seriousness. Resurrecting traditional carpet weaving, and reestablishing the preeminence of Georgian carpet-weaving is Beraia’s own expression of patriotism.

Georgian carpets have long been considered among the finest in the world. After World War I, many Georgian carpets came to be labeled Armenian or Azeri. “Everyone wants to claim the best as their own,” Beraia says. He adds that, while carpet-weaving was certainly a trans-caucasian phenomenon, “Georgian carpets are very different from Azeri or Armenian carpets.”

Beraia traveled to Iran, Armenia, Turkey, and around Central Asia to gather information—and carpets. And while there may be others in Georgia with a collection to rival his (though surely, he says, not many), he knows of no one else documenting the history and working on the revival of authentically Georgian carpet-weaving.

The carpets on display at Old Town Studios are vivid and bright, and Beraia’s extensive knowledge of the history and origins of his carpets make the experience of carpet-shopping pleasant and interesting for a novice. He patiently deconstructs one large carpet in Old Town Studios, pointing out how the seemingly abstract geometric shapes describe boats, the passage of time, and an elaborate sheep-skin – telling, in effect, the story of Jason and the Argonauts. Another, smaller carpet has a blood-red heart, against which background a small white hen has laid a small white egg. Before marriage, Beraia explains, a bride-to-be would make one of these small “demo” carpets in order to demonstrate her handiness, dedication, and integrity. (The hen-and-egg pattern proclaims her fertility.)

All of the carpets from Beraia’s weaving school are made using traditional materials, and all of the yarn (which mostly comes from Tusheti) is dyed using traditional methods and materials, and cost USD $300-$1,500, depending on materials, complexity and size.

Visitors to Old Town Studios may purchase one of the carpets on display or commission a carpet woven with their own choice of patterns and colors. Those interested can also arrange to take weaving lessons.

DSC_0251.JPGIn addition to the paintings, carpets, and furniture on display, Old Town Studios has renovated the 250-year-old marani (wine cellar) beneath the gallery space. Visitors can taste Saperavi and Rikatsiteli wine from this past fall that has been made by traditional Georgian methods. The white wine has been fermented with the grape stems and skins, (rather than stripped of these tannin-producing elements as European white wines are), which yields a distinctively dark honey-colored white wine.

Gela Patalishvili, a vintner and farmer from Bodbis khevi, is the architect of Old Town Studio’s marani. He hopes to establish a solid reputation for excellent local wine, and to eventually offer agricultural tours for people interested in traditional Georgian wine-making.

The New Tourism


For many years, Sighnaghi has been something of a backpacker’s destination. Though the town, when not under heavy construction, was already picturesque and rich in history, it was lacking more upscale accommodations and places to eat. After the massive renovation project, the town will likely attract broader array of tourists – both those roughing it, and those who prefer down pillows under their heads.

And Old Town Studios is not the only bettor on Sighnaghi’s future as a tourism and cultural center. MGroup is opening the Hotel Sighnaghi in the former digs of the Intourist Hotel. In addition to khinkali and kababi cafes, Sighnaghi has two nice restaurants – Pancho Villa (Mexican - 8255 3 15 11 or 899 19 23 56) on Queen Tamar street, and an excellent Georgian restaurant overlooking the Alazani Valley (name unknown, but it’s just through the archway in the city wall on the road downhill to Tsnori), and a five-star restaurant is reportedly in the works.

“We’re taking a risk in doing this,” Wurdeman says of the grassroots art gallery, “but five years ago, we would have been insane.”

Old Town Studios will open March 3 2007.

Old Town Studios is located at 18 Baratashvili Street in Sighnaghi.
Call John Wurdeman (899 53 44 84) or Shergil Pirtskhelani (899 79 53 60). English, Georgian, and Russian spoken.


When to Visit


Old Town Studio’s inaugural weekend is March 3-4, 2007, and the studio will be open both days from 12 pm – 5 pm. There will be wine-tasting, and the artists will be on hand to talk about their work and offer studio tours.

After their opening weekend, Old Town Studios is open Fridays and Saturdays 11 am – 5 pm, and Sundays 1 pm – 5 pm, and by appointment. Large parties or those wishing to ensure a studio tours should call ahead. Call John Wurdeman (899 53 44 84) or Shergil Pirtskhelani (899 79 53 60). Both speak English and Georgian, and Wurdeman speaks Russian as well.

How to Get there


Marshrutkas run between Tbilisi and Sighnaghi several times a day. Tbilisi-Sighnaghi Marshrutkas leave from the Samgori metro station parking lot at: 9:00; 11:00; 1:00; 3:00; 6:00. Sighnaghi-Tbilisi leave from in front of the Sighnaghi post office at: 7:00; 9:00; 11:00; 1:00; 4:00; 6:00. In Sighnaghi, buy your ticket at the ticket window (inside the red brick building that abuts the parking lot) or in the parking-lot if the ticket-window is still under construction. The trips cost 5 GEL each way. Arrive early – marshrutkas leave as soon as they are full.

Sighnaghi may be on its way to having well-paved roads and broad sidewalks, but for now the streets are muddy and dominated by construction vehicles. Sturdy footwear recommended.

Where to Stay


Until the new hotel is finally open (latest reports say it will start receiving guests in April), visitors may also arrange to stay at Nana’s Family Hotel, which is located at 2 Saradjishvili Street in Sighnaghi’s city center. Call Nana Kokiashvili at 8255 3 18 29 (hotel) or 899 79 50 93 (mobile), or email her at Kkshvl@yahoo.com. Nana speaks some English, and the hotel (run from her home) is spacious, with hot water and clean, modern bathroom facilities. She can also arrange excursions to local sites of interest, including Bodbe Monastery (where St. Nino is buried) and Davit Gareji.

Published in Georgia Today, 23 Feb 2007.

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Feb 17, 2007

Sakhinklis Riqe: more than meats the eye

Update: 30 April 2007 This restaurant - as well as its neighbors - no longer exists, having been bulldozed as part of the Georgian government's nationalization project. Read more about it here: Rike Falls to the Bulldozer in Controversial New Privatization Flurry.

Kombosto MzhaveSakhinklis Riqe MapFrom the street, Sakhinklis Riqe looks like nothing so much as a storage shed for the much larger restaurant that stands beside it, but this unassuming little eatery serves what may be the best kababi in town.

Sakhinklis Riqe is located in Riqe Place, amidst a cluster of other restaurants on the left embankment of the Mtkvari River (between the Metekhi and Baratashvili bridges, but closer to the latter). Don’t be confused by the bright lights and comely exteriors of the big restaurants - look for the squat white structure with no windows sitting cheek-by-jowl beside the restaurant with red “Sameba” letters on its roof.

Inside, you’ll find a surprisingly spacious dining area. The air might be a bit hazy with cigarette smoke, but the warm wooden shine of the large tables and chairs - the owners are clearly privy to the bochka/beer barrel aesthetic – and the friendly demeanor of the wait staff make this a cozy place to dine.

Sakhinklis Riqe doesn’t have a printed menu, but it doesn’t need one - you can count their offerings on one hand. They serve kababi, khinkali, mtsvadi and kombosto mzhave - the house pickled cabbage.

Of all of the items on the menu, the best is unquestionably the kababi.

For the most part, kababi in Tbilisi tend to be pretty predictable - heavy, spiced sausages in flatbread - without a great deal of variation from restaurant to restaurant. But the kababi at Sakhinklis Riqe, like the restaurant itself, is more than “meats” the eye.

Served without fanfare in sheets of thin lavash flatbread, the kababi are of average length and girth. An exploratory poke with a fork reveals lightly sautéed onions and cilantro with a subtle red pepper paste sprinkled beneath the lavash. But it is only upon digging in that one properly appreciates this kababi’s best qualities: the meat is moist and yielding, almost melting in your mouth, and is subtly spiced with minced onion, garlic and herbs.

If you need to round out your meal, the khinkali and mtsvadi will do. The khinkali are pedestrian - just your basic buttoned meat dumpling - but tasty, and the grilled pork mtsvadi likewise is flavorful, if a little on the dry side.

The kombosto mzhave, while simple, is quite excellent. The fermented red cabbage is a pleasing bright fuchsia, and is pickled with red pepper, which lends the dish a little kick. Be sure to order the kombosto if you’re going all-out with the meat menu. The lactic acid in the fermented cabbage will give your digestive system a much-needed boost, and the dish is also a refreshing change of pace for your taste buds.

There’s Kazbegi beer on tap, and Gomi vodka and other standard beverages (Borjomi, Limonati, etc) are also available.

In our reverie of meat, beer, and pickled cabbage my party never learned how much each item cost, but we ordered some of everything, left barely able to walk, and spent about GEL 10 each.

Georgian and Russian spoken. No English, but none is needed, so long as you master the following vocabulary: Kababi, kombosto, ludi (beer).

Sakhinklis Riqe: Riqe Place, 747020
Published in Georgia Today, 16 Feb 07

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Feb 9, 2007

No Starbucks in Tbilisi?

Coffee and DonutIt’s true that, for better and for worse, there are no Starbucks in Tbilisi. Yet. But those who long for a coffee-and-pastry pick-me-up on the way to work, or for a comfortable cafe in which to mega-dose espresso and type their novel, need not despair. At Coffee and Donut and the Donut Stop your pre-caffeinated self will swear – if you only squint a little – that you’re at a South Caucasian Starbucks/Krispy Kreme joint venture.

Donut Stop Locations, TbilisiA variety of fresh pastries are available at both donut depots for GEL 0.20, 1.10 and 1.20. Plump sugar-dusted jelly-filled confections and crispy chocolate-glazed cream-filled morsels jostle for primacy at the counter. It doesn’t really seem possible to be able to go wrong with any of these – deep-fried dough and sugar can’t help but nail a hole-in-one – but I will say that the chocolate-icing crust is tooth-achingly familiar, and the fruit-jelly-filled pastries are especially worth a try; the fruit filling has a tart kick to it that makes these a much more toothsome treat than their overwhelmingly saccharine state-side jelly-bellied counterparts.

The GEL 2.50-and-under coffee menu at both donut shops includes various members of the -ccino family (cappuccino, mochaccino) as well as regular coffees. Authentic Starbucks blends (Yukon Blend, Breakfast Blend, etc) of questionable provenance (which country have they been smuggled in from?) while not on-tap at the time of writing, are intermittently available as well.

The Donut Stop on Kekelidze Street is best suited for those who prefer their coffee and pastry to go. A few years ago, when trademark anarchy reigned supreme, patrons of the Donut Stop might have been lured into the shop by a Starbucks logo painted on the wall outside the café. No longer. Whether due to the need for a new splash of paint, or in provident response to the proliferation of trademark lawsuits against blatant knock-offs in countries where Starbucks is expanding (which now include India, Egypt, Brazil and Russia), the mermaid has been covered up, somewhat diminishing the Donut Stop’s genuine faux-Starbucks aspirations.

Which is not to say it doesn’t try to evoke some atmosphere. The shelves behind the counter boast a number of namdvili (if purely decorative) Starbucks coffee bags, while Starbucks stickers adorn the front counter. The walls of the café display a waist-high band of that distinct ‘Starbucks Green’ paint, and are festooned with green-painted pictures – some of which include the word “Starbucks” swirling around in the pigment. There are a handful of tables should you choose to eat-in, but the atmosphere is a little on the silent-and-deadly side.

On Abashidze Street, Donut and Coffee provides all the ambiance of a neighborhood Starbucks without the “wannabe” vibe of its first location (although its sign – a green circle around the Donut and Coffee logo – does distantly resemble the insignia of its Seattle-based spiritual mentor). Inside, the cafe is spacious and bright. Large windows look out onto the street. Tables for four are set discretely apart from one another, evoking the ambiance of a street café and a feeling of privacy. Patrons have the rare luxury of being able to choose between discrete smoking and non-smoking sections, and one room has a stack of periodicals for your perusal. Come early however if you want to enjoy peace, quiet and fresh air as the dining room fills up with cigarette smoking students in the afternoon.

If nursing a -ccino and nibbling a donut for hours isn’t satisfactory, Donut and Coffee also offers more substantial fare, including salads (GEL 4-8), pasta (GEL 7-9), sandwiches (GEL 3-5), and the strange and misguided “flat burger,” – a hole-less donut with odd fillings such as crab salad (GEL 3).

Donut and Coffee: 10/12 Abashidze Street, Tel: (32) 25 14 66
The Donut Stop: 16 Kekelidze Street, Tel: (32) 25 39 85
Menus in Georgian and English.

Published in Georgia Today, 9 Feb 2007.

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Feb 2, 2007

Off the (B)eaten Path: Left Bank (possibly Armenian) Grilled Goodies


“Chilikas Bichis Dukani,” in the old Armenian neighborhood near the Isani metro station, is a good place to go if you are experiencing a hankering for grilled food in a low-key setting.

I was directed to the restaurant by a vegetarian friend who had waxed rhapsodic about their grilled mushrooms (sokos mtsvadi) and sulguni cheese khinkhali. “It’s a no-frills kind of place,” he added. “No lacy tablecloths or anything.”


Map to Chilikas Bichis Dukani

Indeed, the restaurant really has no frills whatsoever, even an external indicator – like a sign – that it exists.

Finding the place, while uncomplicated, takes some elaborate directions in the absence of discernable area street signs. Chilikas Bichis Dukani (“Chilika’s sons’ café”) is located uphill, behind the Isani Metro station (on Ketevan Tsamebuli Avenue). If one is facing the metro station with Ketevan Tsamebuli Street to one’s back, walk up the street to the right of the metro station, towards the highway. At the end of a long block of money exchange windows, clothing stalls, and khatchapuri windows, take your first left. There is a gas station on the left, and across from that, on the right side of the street is a beige building with a long red Coca-Cola awning and two chimneys. A small sign reading “khinkhali, kababi, mtsvadi,” marks the entrance-point to Chilikas Bichis Dukani.

Once inside, there are nine tables, each seating four people or so. The décor is sparse and a little shabby – only a few token light bulbs work – but the tables and flatware are spotless. There are no printed menus, but a dry-erase board on the wall lists some of the more popular items. There is also a glass case where one can peruse the many kinds of grillable foodstuff – vegetables, meat, sausage – on long metal skewers.

Grilled things are definitely the way to go here. The meat mtsvadi, which comes in a variety of styles and shapes – including sausage with lemon on a stick – ranges from 6 to 10 lari (the latter are quite large), and is quite good. Also good are the grilled potatoes – sliced into medallions and roasted over coals – which are 2 lari per potato (about 5 medallions). Be sure to order at least one skewer of the sumptuous grilled mushrooms (sokos mtsvadi). They come 5 to a skewer, and cost 6 lari. A skewer of whole grilled badrijani, pepper and tomato costs 3 lari, and is pleasantly smoky, though wanting a little in the way of additional seasoning. The kababi, which come wrapped in a paper-thin lavash with onion and chopped chives, is average – which is to say, very tasty if you like that sort of thing.

Throughout the lunch hour, waitresses delivered platters of steaming khinkhali to the tables around us. Khinkhali are clearly another strong suit of Chilikas Bichis Dukani. Regular meat khinkhali are 50 tetri a piece; the sulguni khinkhali are 1 lari per. These latter are definitely worth trying; when the khinkhali are eaten hot, the melted sulguni cheese filling drips in gooey, buttery, mozzarella-like strands.

Given the location of the restaurant, and its reputation as an Armenian restaurant, we decided to try some kyufta. We had the option of ordering it fried or in some other fashion (we didn’t quite understand, speaking very limited Georgian and no Russian) and opted for the more mysterious process. This was perhaps a mistake. The kyufta arrived soft and gray – blanched, steamed or boiled –in a pool of melting butter. It was not bad – warm, buttery, and folded discretely in a paper-thin lavash – but was sufficiently mysterious as to be a little off-putting.

It’s not the cheapest dinner in town, but it’s a nice change of pace for a pretty low cost. Sharing food among three people on two occasions, my fellow foodies and I dropped about 10 GEL per person and left pleasantly full. The wait staff is very friendly. No English spoken, though, so be ready to make your way in Georgian or Russian.

Chilikas Bichis Dukani, adgilze mitanit. Tel: 899 53 74 36

Published 2 Feb 07 at Georgia Today

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Dec 15, 2006

Pancho Villa: Latin Spice Comes to Kakheti

Pancho Villa SignPancho Villa SignThe Mexican restaurant Pancho Villa comes as a complete surprise. It’s a warm and intimate hole-in-the-wall eatery with a wide-ranging menu and very decent prices. Except for the dishes made with avocado and the drinks containing tequila or Kahlua, all the food is made fresh with local produce. The proprietor is also the head chef. But perhaps the most surprising thing about Pancho Villa is its location – it’s not on Shardeni, it’s not on Perovskaya… rather, this gem of a Mexican restaurant is way off the beaten path in the medieval town of Sighnaghi, in the Kakheti region.

Shalva Mindorashvili, 31, is the owner and head chef at Pancho Villa. At first glance, Mindorashvili possesses a certain Ichabod Crane-like austerity. He is tall and spare, with a strong profile and an expression that is somber when his face is at rest. But this severe first impression is shattered as soon as he breaks into his patented face-splitting grin – something which he tends to do spontaneously and often.

I get the feeling that I’m onto something good when the first thing Mindorashvili wants to talk about is chocolate. In addition to the desserts already on the menu – including homemade coconut ice cream, Aztec oranges and flan – Pancho Villa is planning a weeklong chocolate festival for the winter holidays. Mindorashvili and his two formidable assistant chefs (Lia Mindorashvili – Shalva’s mother – and Eka Taralashvili) are in the midst of testing recipes to see which ones will make the grade. So far, they’ve identified chocolate-praline brulees, chocolate crepes with lime butter, profiteroles with chocolate sauce, chocolate peppermint sticks, and dark mocha roulades as possibilities. Two mocha roulades sit on a platter in the restaurant. They are each as long as my forearm, and are fetchingly dusted with powdered sugar. If the rapturous tone used by Mindorashvili as he describes the desserts is any indication, the recipe testing has been going very well.

Saperavi and Tapas: the new world order


Shalva Mindorashvili at Pancho VillaPancho Villa offers a spectrum of Mexican and Spanish entrees that range from the familiar (guacamole, burritos, cheese soup) to the moderately esoteric (migas, MichoacÑqn beef soup). Most dishes are under GEL 5 – the most notable exceptions being dishes made with avocados (around GEL 10) and the fish in cilantro (GEL 8). (Most of the GEL 5-and-under dishes come as Georgian-style moderate portions – and two dishes make for a very satisfying meal). Beverages include a fine local Saperavi wine for 50 tetri a glass, or a finer local Saperavi for GEL 1. Beverages made with imported alcohol are more expensive: margaritas cost GEL 9, and Coronas are GEL 6 a pop. By far the best deal in the house is the Tapas, which cost a mere 90 tetri per plate, and come in very generous portions.

But once the food arrives, the visitor realizes that Pancho Villa’s main draw isn’t the price – it’s definitely the food. The burritos come encased in a fresh, crepe-like tortilla. The potato omelet from the Tapas menu is a savory cloud of fluffy egg dotted with crispy potato morsels. The chicken in green chili is a pool of green spicy sauce thick with seared shredded chicken. The margarita is mostly tequila, but the sangria, made with local Saperavi wine, is not to be missed. The house chips are a bit on the thick side. Ask to have them heated, and you won’t be disappointed. And do not leave Pancho Villa without trying a hot chocolate. It comes in espresso-sized portions, and is terribly decadent – less of a liquid and more of a warm, richly spiced chocolate pudding with a hint of brandy. Wuff.

Everything in the restaurant – from the paint on the walls to the food on the plates – reflects Mindorashvili’s tastes and passions. Having selected everything on the menu, he says he doesn’t have a favorite dish. “I can’t say that I like one more or less. All have a place in my heart. Each delights me in a different way.”

Cosmopolitan culture outside of the capital

Mindorashvili also did the renovation and redesign work for Pancho Villa. When I asked what I thought was a simple question – how he chose the bright kiwi and adobe color scheme for his restaurant’s interior – he startled me by beginning his response with “Let’s start with the Soviet era…”

“Our people were discouraged from thinking about the world outside of the U.S.S.R. People were oppressed not just physically, but psychologically as well,” says Mindorashvili, describing a sort of box around himself with his hands. “So people withdrew into a kind of shell. Life lost meaning. Everyone was living just to survive.”

Mindorashvili shakes his head. “It’s just so boring just getting by,” he says. “Why live at all, if you’re just trying to survive? Where is the meaning in that? What’s the point? Something must keep you interested in life. If you’re not doing what your heart wants, why bother?”

In 2001, Mindorashvili traveled to the United States. He says that traveling helped open him to a sense of possibility and of other ways of thinking – and helped him to break out of the tunnel-vision that had made the world seem so closed off. He’d always felt a strong affinity for the warmth and color of the Latin world, and decided that he wanted to make it a bigger part of his life – and to share it with other people – by opening a restaurant.

A nation and a person have similar needs, Mindorashvili says. “We need to know about the world – about other foods, other traditions. We need to be worldly.” This is why he opened his restaurant. For Mindorashvili, Pancho Villa is about more than simply making a living. “I want to nourish people, to give them a place to go for warmth, good music, and interesting food. I want to make their lives more interesting – even if only for a couple of hours.”

As to why he chose to open the restaurant in Sighnaghi – rather than in a larger city, such as Tbilisi – Mindorashvili explains: “The country can’t be developed if the only culture is in the capital. When you create such things only in the city, the city becomes tavkombali [top heavy, like a tadpole]. Tbilisi has become bloated, unrecognizable.” There is a commercial reason as well: here in Sighnaghi there is little competition, and thus Pancho Villa burns more brightly than it would in Tbilisi.

Mindorashvili is but one of several artisans who chosen to do their work in Sighnaghi in order to demonstrate to other Georgians that “It is possible to stay in the villages and also to have culture and good society.” The choir Ensemble Zedashe, the folk dance ensemble Jleha, and a cadre of carpet-weavers, musicians and painters are but a few of the artisans who have put down roots in Sighnaghi.

When asked how his restaurant fits into this artistic milieu, Mindorashvili, replies, “All roads lead to Rome. If you can see what people enjoy in life, the first thing is good food. I want to get Tbilisi people to come to Sighnaghi for the food. And I want for Georgians to be more open, to be more lavish with their feelings. Consider that life is too short to stay reclusive and boring. Now is the time to open up and start living differently.”

When and How to Visit

Open 2 pm-10 pm Tuesday through Sunday. Closed Mondays, although it is possible to arrange to dine on Mondays by appointment. Contact Shalva Mindorashvili: 8255 3 15 11 (Restaurant) or 899 19 23 56 (mobile). (Shalva speaks english).

Marshrutkas run between Tbilisi and Sighnaghi several times day. Tbilisi-Sighnaghi Marshrutkas leave from the Samgori metro station parking lot at: 9:00; 11:00; 1:00; 3:00; 6:00. Sighnaghi-Tbilisi leave from in front of the Sighnaghi post office at: 7:00; 9:00; 11:00; 1:00; 3:00; 6:00. In Sighnaghi, buy your ticket at the ticket window (inside the red brick building that abuts the parking lot). One-way trips cost 5 GEL. Arrive early – marshrutkas leave as soon as they are full.

Pancho Villa is at 9 Queen Tamar Street. To get there from the marshrutka drop-off point in Sighnaghi, walk uphill to Hotel Sighnaghi – formerly the Hotel Nugo. (This hotel, not yet open, says it will begin receiving guests on Janary 1 2007). The main road downhill and to the right of Hotel Sighnaghi leads directly to the door of Pancho Villa.

Where to Stay

Guest accommodations (home-stays) can be arranged through Pancho Villa (please call ahead). Home-stays range in price from 10-15 GEL (lodging only) to 25-30 GEL (room and board) per person.

Visitors may also arrange to stay at Nana’s Family Hotel, which is located at 2 Saradjishvili Street in Sighnaghi’s picturesque city center. Call Nana Kokiashvili at 8255 3 18 29 (hotel) or 899 79 50 93 (mobile), or email her at Kkshvl@yahoo.com. Nana speaks some English, and the hotel (run from her home) is spacious, with hot water and clean, modern bathroom facilities. She can also arrange excursions to local sites of interest, including Bodbe Monastery (where St. Nino is buried) and Davit Gareji.

Published 15 Dec 06 in Georgia Today

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Nov 3, 2006

Touring Khevsureti: The hills are alive…

This past Friday, I found myself in the middle of a high altitude, musical supra in the village of Barisakho, Khevsureti. Anchoring one end of the heavily laden table was a quintet of Khevsuretian women singers, dressed in smart denim and black, with a striking complement of traditional bushy white wool hats on their heads. Perched at the other end were members of the Sighnaghi, Kakheti-based ensemble Zedashe and in-between sat 20 participants of the Village Harmony music camp.

We were at the end of a week of high-altitude, high-spirited traveling through the peaks and valleys of Khevsureti – Georgia’s remote and mountainous region along the border with Chechnya.

Tour organizer Mindia Tsiklauri arranged our trip. Tsiklauri, 33, is originally from Arkhoti, Khevsureti, but now lives in Tbilisi. Between June and September, Tsiklauri organizes trips into Kazbegi, Tusheti, and Khevsureti for a number of companies, including Georgica Travel and Wild Georgia. (During the rather extended off-season, he is a lecturer on tourist agency management at Ilia Chavchavadze University in Tbilisi). This trip marks his first collaboration with Village Harmony.

Village Harmony is a Vermont, USA-based non-profit that organizes summer camps which take place each year between May and October in many countries, including Georgia. A group of un-auditioned (but tuition-paying) teenagers and adults learn music together for a week and then perform a series of concerts. Some camps tour for two weeks; others have a more modest smattering of two or three performances. All learn world music at the hands of folk musicians teaching their native repertoire.

This camp was based in Sighnaghi, where participants learned a repertoire of Georgian songs from Kakheti, Svaneti, and Mingrelia as taught by Zedashe (an ensemble of young singers based in Sighnaghi, led by Ketevan Mindorashvili). At the end of their Sighnaghi residency and performances, a few intrepid (and flexible) souls stayed on to travel together into the highlands and on a rainy day in late October, we hit the road to Khevsureti together.

Off the grid in long johns

October is late in the year to be heading into the highlands. The safe season for travel in Khevsureti lasts a scant four months: June to September is when the weather and roads are the most pleasant. Even then, at the higher altitudes, the temperature can range from +25C during the day to below 0C at night making Khevsureti long john country virtually year-round.

The reason for long johns becomes obvious as soon as we leave the Georgian Military Highway and begin gaining some serious altitude – the temperature drops, and the landscape outside the car windows turns autumnal. The mountains are both severe and pastoral – on the hills leading up to high snowy peaks there are gold and red apples in the trees, beehives in backyards, and warm fiery colors in the hills where the leaves are turning in the crisp, quiet, cold air.

Unlike its neighbor Tusheti, Khevsureti is not yet set up for the solo traveler. Of all of the towns in Khevsureti, only one – Shatili – has a formal guesthouse. Cell-phone service is non-existent, and only a few towns can receive satellite phone service (where the cost of a call – GEL 9 per minute – is somewhat prohibitive). At each overnight stop on our itinerary – Roshka, Shatili, and Barisakho – we stay with Tsiklauri’s friends and relatives. Our drivers are likewise friends who have taken the better part of a week to drive our gaggle of 20 musicians into the Khevsuretian highlands. Tsiklauri did much of the organizing for this trip in person, driving up to Khevsureti from Tbilisi to make arrangements with hosts where there was no cell service.

The ungrateful dead

A city car can do the drive from Tbilisi to Barisakho. (There is, apparently, a marshrutka from Tbilisi to Barisakho, but no further). After Barisakho, though, you’d better be in a Niva or a similarly rugged vehicle. The hearty road-line on the map is, in fact, a narrow, rock-riddled, serpentine squiggle that demands both judicious and courageous driving.

At Barisakho, we get out of the marshrutka and have a hearty lunch of khatchapuri, bread, tomatoes, cucumbers and herbs and – most memorably – vodka, which we drank copiously to fend of the chill in the air. After this, while we are waiting for the Nivas, someone produces a panduri, and we sing. A young woman from Maine brings out her fiddle and calls a short contra dance.

A few minutes into our warming activities, our host cautions us that a next-door neighbor has died recently. In Khevsureti, custom dictates that no revelry take in the village until a year has gone by. Muted, we put away our fiddles, panduris, and songs, and wait for our rides.

Our next stop is Roshka, the second highest continuously populated village in Georgia (after Ushguli, Svaneti).

The drive up to Roshka is slow, with the Nivas in low gear, winding slowly up the steep, narrow roads. It is a day of gray, heavy clouds. They hide the higher parts of the mountains, but the slopes that we can see are luminous with the red, orange and yellow of autumn.

Roshka is small, with only a handful of households. The roads are all unpaved and muddy, with an impressive top layer of cow manure. Electric lines run up the mountain to the village, but the electricity did not work while we were there. After dark, the otherwise silent night fills with the boom and roar of a generator, started up for our benefit, which powers the solitary bare light bulb over our dinner table.

We have dinner at the home of Shota Tsiklauri, whose house I, and seven others, are staying at for the night. With 20 descending for dinner, the other guests and I deem it considerate to stay out of the way, and so we sit on the second-story porch outside, where dinner will be, and experience a gradual, alarming drop in body temperature.

At dinner we are all cold. Supra a plein air in October in the mountains is a new and bracing experience for many of us. But here again, there is vodka on the table, and we partake of a few hearty toasts to make the cold recede a bit. And the food is good. A few of us go especially bonkers for cups of the thick raw local honey, which is sublime, especially with the tart mountain apples on the table.

And because this is a supra, and because we are singers, we all sing some more: big exuberant American shape-note songs, gospel and Georgian folk music. And then, through the noise we are making, there is a piercing, and, even for those of us whose Georgian is non-existent, unmistakably angry scream from the ground below our supra. The next-door neighbor’s brother has died recently. We have once more managed to break the Khevsuretian ban on singing in the wake of a funeral.

The supra fizzles out abruptly as, horrified, the participants head to their host’s houses to sleep.

Avoid the boulders and stop

before Chechnya

The next morning comes in a blaze. The sun is out, and the white peaks of the Caucasus gleam tantalizingly over the fiery patchwork of leaves in the hills. This is a glorious time to be up here. Frost tips the grass, and enormous gray boulders dot the landscape. The hills that bracket Roshka are covered in haystacks that pepper the landscape like gumdrops or rabbit droppings.

With careful planning, it is possible to do a day trip up to Roshka from Tbilisi. There are three lakes that one can hike to from Roshka – the Abudelauri lakes – which are three strikingly different colors. One, which is shallow, is a bright green color (from plants that grow at the bottom of the lake). Another is very deep, and dark blue. The third is white, “like milk,” according to Tsiklauri, from ice and fine glacial debris in the water. All are within 1.5 kilometers of one another, and can be accessed in a day-hike from Roshka.

Sadly, we do not have time for this hike. Instead, I go for a short, easy amble in the nearby hills. On my way back to the house for breakfast, I am waylaid by an old woman who leaves her herd of cows to herd me into her house and sell me a pair of scratchy wool socks. The floors of her house are covered with small red potatoes. She waves at these and grins.

After breakfast we drive to Shatili, near the border with Chechnya. The road to Shatili is somehow even more narrow and perilous than the road to Roshka. We pause periodically to clear the road of unacceptably large rocks from recent landslides. Black-blue slate slips down in slow cascades on all sides; the road here seems singularly impermanent.

We come to Shatili by way of the Datvis Jvari Pass (2677m). This is the part of the trip that shortens the tourist season. The pass, in late October, is already only intermittently passable. As we near the pass, the landscape turns abruptly from autumn to winter. Wet, heavy snow blankets the road. The snow-and-slate shoulders of the surrounding mountains are stark and stunning. We skid slowly along the road. Part sleigh-ride, part prayer tent, our Niva muscles through. After a brief heart-in-the-throat hurdle over the pass, we continue our slow way down into Shatili.

All along the watchtower: the birth of a tourist industry

At the heart of old Shatili there is a village of recently restored square stone towers, built upon an outcrop of stone in the mountain valley. The towers are connected to each other by a warren of walls, roofs, stairs and ladders, and climbing though the old stone village is like climbing through an MC Escher print. Many of the restored towers offer access to wide wooden balconies that look out over the valley. Each step through the nexus of towers offers a strikingly different view of the whole complex, and the valley below.

Shatili is slowly warming to tourism. Across from an old plot of slate square tomb, there is a landing-pad for helicopters. And one of the old towers is now a bed-and-breakfast, with a kitchen and bathroom (with plumbing) on the ground floor, beds on the floors above.

For our night in Shatili, half of our party stays at the bed-and-breakfast tower, where there are 10 beds in a single large room. The other half – including myself – stays at a guesthouse belonging to Mzia Chincharauli, where several women are working hard to lay out a supra spread. Dinner that night includes some fabulous khinkhali (both potato and meat varieties), wild mushrooms that some of our party harvested from the slate side of the mountain, badrijani (eggplant), fresh cheese, potatoes, and copious amounts of wine.

The next morning, we walk from Shatili to Mutso – a tower town perched high on a mountain southeast of Shatili.

On the way to Mutso, we walk through a valley whose walls are thick with fantastic icing-like drippy formations, as well as through gentle wooded areas which, when the upper peaks of the Caucasus are hidden by clouds, look like landscapes in northern New England. Occasional outposts of border guards peering down at us through binoculars remind us that we are near the border with Chechnya. We are careful to avoid it.

Mutso, 300 years old, is severe and imposing. It is apparently slated for renovation, but for now its decaying profile still stares darkly across the valley from its perch high on a mountainside. The climb up to the old tower town is sheer and narrow. Many of the buildings have collapsed and look like nothing more than the wild slate landslides that we have driven across to get here. Where there are no roofs, the tops of the standing walls, when viewed from above, look like cuneiform letters. A few tight structures still stand. Mutso, we hear, was inhabited until the 1950s, when Stalin forcibly relocated its inhabitants.

That will bring us back to Do …

The final day of our trip is spent back in Barisakho, where we are treated to one very full day of hiking, a horse race, a concert, a spontaneous football match (Khevsureti vs. Kakheti/USA, which happily ended in a 1-to-1 tie), and a supra.

Many people will attest that it is a pleasure to be a guest in Georgia. One hears stories of hikers being chased by persistent, would-be hosts bearing cha cha – and to be a guest at a good, earnest supra can produce an epiphany of new friendships. The Village Harmony campers have the additional advantage of being able to burst into song at the table – an act that is almost invariably greeted with delight… and more toasts.

In Khevsureti, the region’s traditions and customs are still strictly observed. We experience this in the lavishness of the hospitality that we receive, the enthusiasm with which our concert singing (and the Khevsuretian and Zedashe’s performances) is applauded - but also in the anger with which our inopportune singing is condemned. In this context, traveling as musicians present singular opportunities for communication and cultural exchange - and this cuts two ways.

At our final supra however, the singing ban is temporarily lifted.

Sitting at a table almost invisible under the burden of delicious dishes, singing mravaljamier at the top of one’s lungs, cheeks red and hot with wine, and belly full of fresh khinkhali, chicken stew, and fried fish, is an unbeatable way to spend a Friday night. And as a singer, there’s a feeling that you get as you plunge your voice into the stream of song and it blends with those of the other supra participants that you are somehow, at least for a moment, less of a tourist and more of a participant.

Visiting Khevsureti: Silver white winters that melt into springs

The season for traveling into Khevsureti is effectively over for the year. As winter settles in, and the prospect of more trouble with Russia looms, I fervently hope that by June 2007, the meteorological and political climate will make further trips into Khevsureti possible for all intrepid explorers – but especially for those with a song in their heart.

USEFUL NAMES AND NUMBERS

Tour Organizer
Mindia Tsiklauri (Tbilisi), 893 14 46 44
Languages: Georgian, Russian and English

Published in Georgia Today, 3 Nov 06

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